Ovation Press offers an extensive selection of expertly edited orchestral excerpts and parts, exclusive arrangements for cello ensemble, technical studies and transcriptions for violin, viola, cello and bass, all available to print instantly. Ovation Press is also the publisher of the groundbreaking books about intonation, CelloMind and ViolinMind.
Featured Selections
Bach Suite No. 5 for Lute Arranged for Cello
Laurence Lesser has combined Bach's version of the Fifth Cello Suite for lute with the Anna Magdalena Bach edition for a completely new take on a familiar piece for cello. New ornamentation, fuller harmonies and a more challenging technical undertaking is sure to give any cellist a broader understanding of what is implicit in the relatively spare cello version.
(Read more...)Price: $12.99Czardas (for Cello Quartet)
While Monti composed the Czardas originally for violin or mandolin, it lies beautifully on the cello. This rhapsodic piece utilizes advanced techniques of flying spiccato, false harmonics, and double stops.
(Read more...)Price: $14.99Koussevitzky Cadenza
Dominik Wagner, scholarship holder of the Anne-Sophie Mutter foundation and prize winner of the ECHO Classic award, has composed a cadenza for Serge Koussevitzky's Double Bass Concerto, Op.3.
(Read more...)Price: $4.99Marche Militaire in D Major (for Cello Octet)
Schubert's Marche Militaire was always one of my favorite encores on the many tours I went with my cello ensemble. At the beginning we used my cello quartet version (published by International Music Company), simply doubling the parts. Later I made this arrangement for octet, elaborating many new possibilities on how to enhance the sound and festive character of cello choir. We were overjoyed performing this music and overwhelmed with reactions of audiences. One might smilingly say that the famous Schubert's quote “There is no such thing as happy music” definitely does not comply with this Marche.
(Read more...)Price: $14.99Prelude in G minor
In the summer of 1993 I had the idea to transcribe Rachmaninoff's Prelude in g minor. I already knew the fantastic original version as performed by Alexis Weissenberg, Sviatoslav Richter or the master himself on Ampico Piano-roll. I was fascinated by that masterpiece and set about to bring it to one left hand and a bow with the incredible virtuosic playing of Ruggiero Ricci always in my mind.
(Read more...)Price: $7.99
New Releases
BASS:
- Koussevitzky Cadenza (Bass and Orchestra), composed by Dominik Wagner
- Concerto No. 2 in B minor (Bass & String Orchestra), composed by Giovanni Bottesini and edited by Jeff Bradetich
- Technical Exercises (Bass Solo), composed by Jeff Bradetich
- Caprice No. 14 (Bass Solo), composed by Niccolò Paganini and edited by Anthony Stoops
CELLO:
- 60 Seconds To Excellence for Cello, by Jessie Reagen Mann
- Bach Suite No. 5 for Lute Arranged for Cello (Cello Solo), composed by Johann Sebastian Bach and arranged by Laurence Lesser
- Prelude No. 2 (Cello and Guitar), composed by George Gershwin and edited by Valter Dešpalj
- "Summertime" (Voice and Cello) composed by George Gershwin and edited by Valter Dešpalj
CELLO ENSEMBLE:
- Marche Militaire (Cello Octet), composed by Franz Schubert and arranged by Valter Dešpalj
- Czardas (Cello Quartet), composed by Vittorio Monti and arranged by Ashley Sidon
- Ricercar a 6 (Cello Sextet), composed by Johann Sebastian Bach and arranged by Hans Erik Deckert
- Alborada del Gracioso (12 Celli), composed by Maurice Ravel and edited by Rudolf Leopold
VIOLA:
- 60 Seconds To Excellence for Viola, by Rhona Reagen
- Melody (Viola and Piano), composed by Sergei Rachmaninoff and edited by Viacheslav Dinerchtein
- Much Ado About Nothing (Viola & Piano), composed by Erich Wolfgang Korngold and edited by Donald McInnes
- Serenade (Ständchen) (Viola & Piano), composed by Franz Schubert and edited by Donald McInnes
VIOLIN:
- Spanish Ballad (Violin Solo), Folk Song arranged by Ruggiero Ricci
- 60 Seconds To Excellence for Violin, by Rhona Reagen
- Prelude in G minor Op. 23, No. 5 for (Violin Solo), composed by Sergei Rachmaninoff and edited by Ernst Schliephake
- Come Close the Curtains of Your Eyes (Violin and Piano), composed by Amy Barlowe
CHAMBER ENSEMBLE:
- Kindertotenlieder (Voice and String Quintet), composed by Gustav Mahler and arranged by Carsten Jaspert
- Zigeunerweisen/Gypsy Airs (Cello & String Quintet/Orchestra), composed by Pablo de Sarasate and edited by Valter Dešpalj
- Sonata in G Major K. 391 (Violin and Viola Duet), composed by Dominic Scarlatti and edited by Amy Barlowe
- Fugue from Le Tombeau de Couperin (String Trio), composed by Maurice Ravel and edited by Charles Jacot
PIANO:
- Schelomo (Piano Reduction), composed by Ernst Bloch and edited by Alex Maynegre-Torra
Meet The Editors
Donald McInnes (editor profile)
Until retiring from public performance in 2009, Mr. McInnes has appeared as soloist with such orchestras as the New York Philharmonic, Boston Symphony, Orchestra Nationale de France, and many more. Mr. McInnes also held Professorship of Viola at the University of Southern California (formerly held by his teacher, the famed William Primrose) for 53 years until May of 2014. Today, his students can be found winning important competitions, in leading orchestras, and teaching at many of the finest conservatories and universities. In addition, Mr. McInnes has been an active recording artist: during the fall of 1999, a re-release of his famous recording of Berlioz’ Harold in Italy with Leonard Bernstein conducting became available.
Read our exclusive interview with Donald McInnes
Richard Birchall (editor profile)
Richard Birchall studied Music at Cambridge University and as a postgraduate cellist at the Guildhall School of Music and Drama in London, under Louise Hopkins. Today, he pursues a varied and colourful career as a cellist, composer, arranger, and lyricist. As a member of the Philharmonia Orchestra he performs regularly in the great concert halls of the world. He is cellist of the Minerva Piano Trio and a founding member of Cellophony Cello Octet, an ensemble of eight cellists that have performed throughout the UK, in Europe, and as far afield as South Korea. Cellophony have recently signed to Edition Records, releasing their first CD album Vibrez.
Read our exclusive interview with Richard Birchall
Bernard Zaslav (editor profile)
Born in Brooklyn, New York, Bernard Zaslav spent the first two years of his career in the viola section of the Cleveland Orchestra under George Szell, and the rest of the 20th century as violist of the Kohon String Quartet, the Zaslav Duo, and many other ensembles. Throughout his career he commissioned, premiered, and recorded countless works by new music composers such as Elliot Carter, Milton Babbitt, Ruth Crawford-Seeger, Roger Sessions, and William Bolcom, among many others. Mr. Zaslav has served on the faculties of the University of Wisconsin-Milwaukee, Northern Illinois University, and Stanford University. In 2011, he published his critically-acclaimed memoir, The Viola in My Life: An Alto Rhapsody
Read our exclusive interview with Bernard Zaslav.
Jorja Fleezanis (editor profile)
Jorja Fleezanis was concertmaster of the Minnesota Orchestra from 1989 to 2009—the longest tenured concertmaster in the orchestra’s history and only the second woman in the U.S. to hold the title of concertmaster in a major orchestra when appointed. She also held the post of associate concertmaster with the San Francisco Symphony for eight years and began her professional career at age twenty-three as a member of the Chicago Symphony. In the fall of 2009 she became Professor of Violin and Orchestral Studies at the Jacobs School of Music at Indiana University in order to devote herself full time to teaching and mentoring.
Read our exclusive two-part interview with Jorja Fleezanis: part 1, part 2.
Gerhard Roither (editor profile)
A native of Germany, Gerhard Roither was born in Berlin in 1932. Mr. Roither has been a member of the Deutsches Symphonie Orchester Berlin (formerly the RIAS- and later Radio-Symphony Orchestra Berlin) for 42 years. He was also a member of the Fournes String Quartet from 1959 until 1970. In 1972, during a tour with the Berlin Philharmonic, the 12 Cellists of the Berlin Philharmonic asked Mr. Roither to compose a few short pieces for them to use as encores. This inspired Mr. Roither to arrange the Seven Spirituals for The Berlin Philharmonic Cello Ensemble, as well as the Swedish Vaermland-Song.
Read our exclusive interview with Gerhard Roither.