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Cello

Best of 2012 – Cello Scores

- 1/2/2013 12:00:00 AM
Best of 2012 – Cello ScoresOvation Press presents the top scores of 2012 for cello
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Jeffrey Solow Talks Ovation Press Arrangements in an Exclusive Interview

- 12/21/2012 12:00:00 AM
Jeffrey Solow Talks Ovation Press Arrangements in an Exclusive InterviewOvation Press editor and acclaimed cellist Jeffrey Solow recently gave an exclusive interview with Ovation Press which included a discussion of three fantastic scores: Beethoven's Kreutzer Sonata and Mendelssohn's Song without Words "Sweet Remembrance" & Variations Concertantes
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Roland Pidoux Arranges Schubert Poem for Cello Octet 

- 12/13/2012 12:00:00 AM
Roland Pidoux Arranges Schubert Poem for Cello Octet

Roland Pidoux, the French cellist and editor who recently joined Ovation Press back in September, has published a new arrangement. This time around, Pidoux has chosen a relatively unknown gem for all of us: Schubert's Gesang der Geister über den Wassern, arranged for cello octet.

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Deckert Brings Birds and Bees to Cello Ensemble

- 12/4/2012 12:00:00 AM
Deckert Brings Birds and Bees to Cello EnsembleThe symphonic sounds of aerial wildlife are present in a new batch of arrangements for cello ensemble from editor Hans Erik Deckert featuring: Saint-Saëns' The Swan for Cello Quintet, Rimsky-Korsakov's Flight of the Bumblebee for 9-12 Celli, and the folk tune Song of the Birds for 10 Celli.
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Carsten Japsert's Debut Brings Works to Cello Ensemble

- 11/13/2012 12:00:00 AM
Carsten Japsert's Debut Brings Works to Cello EnsembleGerman cellist Carsten Jaspert is the latest to join the ranks of exceptional musicians that have arranged, edited, and composed music for Ovation Press, bringing two works to the cello ensemble: Moszkowski's  Guitarre and Strauss' Pizzicato Polka.
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Deckert Arranges Bach's Art of Fugue

- 11/6/2012 12:00:00 AM
Deckert Arranges Bach's Art of Fugue

Ovation Press editor Hans Erik Deckert has arranged the four canons from The Art of Fugue for cello duo. These canons are among Bach's longest and most complex, developing aspects of fugal composition which are difficult to sustain in canon.

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